{"id":17931,"date":"2025-10-21T10:52:04","date_gmt":"2025-10-21T10:52:04","guid":{"rendered":"https:\/\/www.ipleiria.pt\/esadcr-en\/?p=17931"},"modified":"2026-01-16T09:52:49","modified_gmt":"2026-01-16T09:52:49","slug":"open-class-susana-mouzinho","status":"publish","type":"post","link":"https:\/\/www.ipleiria.pt\/esadcr-en\/2025\/10\/21\/open-class-susana-mouzinho\/","title":{"rendered":"Open Class – Susana Mouzinho"},"content":{"rendered":"\n
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Paroxysms: Movements, Relations, Montage<\/em><\/strong><\/h2>\n\n\n\n

Susana Mouzinho<\/h3>\n\n\n\n

RESEARCH SEMINAR OPEN CLASSES<\/strong>
OCTOBER 28TH OF 2025, 2.30PM
ROOM 19 EP.2 \u2013 ESAD.CR<\/h4>\n\n\n\n

What is the potential performative efficacy of images and sounds when we speak of cinema labeled as political or experimental? Starting from the films of the Dziga Vertov Group\u2014a brief yet productive collective animated primarily by Jean-Luc Godard and Jean-Pierre Gorin\u2014I will discuss the films of this and other collectives, considering their approaches, methodologies, transmissions, and translations. I propose to reflect on the artistic possibilities opened by the conceptual and procedural displacements of these cinemas, as well as on the resonances of this research in my own work.<\/p>\n\n\n\n

Susana Mouzinho<\/strong> is an artist and lecturer, and one of the editors of Wrong Wrong<\/em>, an online contemporary art magazine to which she is a regular contributor. She works with image and sound, both in analog and digital formats. She studied photography at Ar.Coand worked at the Photographic Archive of the Portuguese Cinematheque \u2013 Museum of Cinema. Her work has been presented at MNAC \u2013 Museum of Contemporary Art, Fuso Festival, Centro de Arte Oliva, Museum of Neo-Realism, Culturgest, and Demolden Video Project, among others. Her research focuses on the moving image, photography, and sound.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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