{"id":18922,"date":"2026-04-23T10:09:40","date_gmt":"2026-04-23T10:09:40","guid":{"rendered":"https:\/\/www.ipleiria.pt\/esadcr-en\/?p=18922"},"modified":"2026-04-23T10:09:42","modified_gmt":"2026-04-23T10:09:42","slug":"5th-ed-artistic-residencies-masi","status":"publish","type":"post","link":"https:\/\/www.ipleiria.pt\/esadcr-en\/2026\/04\/23\/5th-ed-artistic-residencies-masi\/","title":{"rendered":"5th ed. Artistic Residencies – MASI\u00a0"},"content":{"rendered":"\n
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ARTISTIC RESIDENCIES\u00a0 OF THE MASTER’S PROGRAMME IN ARTS OF SOUND AND IMAGE_ESAD.CR\u00a0<\/strong> IN PARTNERSHIP WITH THE CULTURAL ASSOCIATION OSSO_5TH EDITION_202<\/strong>6<\/em><\/h2>\n\n\n\n

PHOTOGRAPHY<\/strong><\/strong>_ 27 April to 1 May
SOUND ARTS<\/strong>_ 4 to 8 May
FILM AND VIDEO<\/strong>_ 11 to 15 May
OSSO FACILITIES IN THE VILLAGE OF S. GREG\u00d3RIO, CALDAS DA RAINHA<\/h4>\n\n\n\n

The artistic residencies of the Master in Arts of Sound and Image aim to be a way to stimulate the development of research projects in the areas of sound and image, through the collaboration between students and invited artists. They are a joint proposal of MASI_ESAD.CR and the Cultural Association Osso. Three residencies will be held at the OSSO facilities in the village of S. Greg\u00f3rio, in the municipality of Caldas da Rainha, in April and May 2026, involving students from the master in arts of sound and image, teachers, guest artists and participants from the local community.<\/p>\n\n\n\n

With the participation of students, teachers
Emanuel Br\u00e1s, Diogo Saldanha, Pedro Letria, Riccardo Wanke and Susana Duarte<\/strong>\u00a0<\/strong><\/p>\n\n\n\n

and guest artists <\/p>\n\n\n\n

\u00c2NGELA DA PONTE
ANT\u00d3NIO J\u00daLIO DUARTE
TIAGO HESPANHA<\/strong><\/h5>\n\n\n\n
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WHAT AM I DOING HERE?<\/em><\/strong><\/h2>\n\n\n\n

Ant\u00f3nio J\u00falio Duarte<\/h3>\n\n\n\n

PHOTOGRAPHY<\/strong><\/strong><\/strong>
APRIL 27TH TO MAY 1ST OF 2026
OSSO FACILITIES IN THE VILLAGE OF S. GREG\u00d3RIO, CALDAS DA RAINHA<\/h4>\n\n\n\n

To draw a collective photographic map of the territory in which the residency space is located.
Daily presentation and discussion of the images produced, as well as of works and texts by other authors.
Sequencing and structuring the collective work.
Screening of the final work.<\/p>\n\n\n\n

ANT\u00d3NIO J\u00daLIO DUARTE<\/strong>\u00a0(Lisbon, 1965).
He has exhibited regularly in Portugal and abroad since 1990.
A selection of his most recent solo exhibitions includes \u201cRumble Fish\u201d at Appleton Square, Lisbon, 2024; \u201cFebre\u201d at the Serralves Museum, Porto, 2023; \u201cGuin\u00e9-Bissau 1990\u201d at Galeria Bruno M\u00farias, Lisbon, 2023; \u201cEclipse\u201d at Galeria Bruno M\u00farias, Lisbon, 2020; \u201cWhite Noise\u201d at the Quartel da Arte Contempor\u00e2nea de Abrantes, 2017; \u201cAm\u00e9rica\u201d at Galeria Pedro Alfacinha, Lisbon, 2017; \u201cSuspension of Disbelief\u201d at the Centro de Artes Visuais, Coimbra, 2016; \u201cMerc\u00fario\u201d at Galeria Z\u00e9 dos Bois, Lisbon, 2015; and \u201cJap\u00e3o 1997\u201d at Centro Cultural Vila Flor, Guimar\u00e3es, 2013.
He has published several photography books, among which the following stand out: \u201cGuin\u00e9-Bissau 1990\u201d (2023), \u201cAgainst the Day\u201d (2019), \u201cEnsaio\u201d (2018), \u201cJapan Drug\u201d (2014) and \u201cWhite Noise\u201d (2011), published by Pierre Von Kleist Editions; \u201cPh. Ant\u00f3nio J\u00falio Duarte\u201d, published by Imprensa Nacional-Casa da Moeda in 2022; \u201cW\u201d (2021), published by Antumbra Publishing House; \u201cDeviation of the Sun\u201d (2013), published by Centro Cultural Vila Flor; and \u201cThe Candidate\u201d, published by GHOST Editions in 2012.<\/p>\n\n\n\n

www.<\/a>antoniojulioduarte<\/a>.pt<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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What is an instrument?<\/em><\/strong><\/h2>\n\n\n\n

\u00c2ngela da Ponte<\/h3>\n\n\n\n

SOUND ARTS<\/strong><\/strong>
MAY 4TH TO 8TH OF 2026
OSSO FACILITIES IN THE VILLAGE OF S. GREG\u00d3RIO, CALDAS DA RAINHA<\/h4>\n\n\n\n

Starting from the region\u2019s traditional instruments (if possible, researching\/finding instruments from the region or even traditional objects capable of producing sound), this proposal raises the question: \u201cwhat is an instrument?\u201d, and how an object bearing cultural identity can merge with other contexts or be reintegrated into a different environment. Does it lose its sonic identity?
Conceived as an installation-performance, it will take shape as a sensory and process-based space, where sound and the instrumental body or bodies engage in real time. The project may focus on recordings of traditional instruments\/objects and their display, as well as on their use in a real-time composition, in which they are manipulated and transformed live, or on recordings that may be played simultaneously. The use of multimedia (video of traditional instruments and their exploration in the context of image processing) may also be included should participants wish to cross disciplines.
More than a final object, this proposal aims to be a living process of listening, composition and transformation, in which tradition and contemporaneity intertwine, projecting new ways of thinking about and inhabiting Portuguese cultural heritage.<\/p>\n\n\n\n

www.<\/a>angeladaponte<\/a>.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Photomontage:<\/strong>\u00a0pyramids of Egypt, fa\u00e7ade in S\u00e3o Greg\u00f3rio, quotation from\u00a0Fanny and Alexander<\/em>\u00a0(I. Bergman)<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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ACCOUNTS OF THE END AND THE BEGINNING<\/em><\/strong><\/h2>\n\n\n\n

Tiago Hespanha<\/h3>\n\n\n\n

FILM AND VIDEO<\/strong>
MAY 11TH TO 15TH OF 2026
OSSO FACILITIES IN THE VILLAGE OF S. GREG\u00d3RIO, CALDAS DA RAINHA<\/h4>\n\n\n\n

\u201cMany years later, standing before the firing squad, Colonel Aureliano Buend\u00eda would remember that distant afternoon when his father took him to see ice for the first time.\u201d<\/em> \u2013 from\u00a0One Hundred Years of Solitude<\/em>, by Gabriel Garc\u00eda M\u00e1rquez
Filming what cannot be seen. How much of what we see is imagined? In this residency, I propose working on the documentary gesture through imaginary elements.
Starting from myths, stories, fantastical accounts, memories and other small narratives, I propose a collective reflection on the ideas of ending and beginning: of the day, of life, of a house, of a relationship, of a piece of work, of a tree, of an object, of the world, etc. \u2014 the end and the beginning in intimacy, in everyday life, in nature\u2026 From this shared\u00a0investigation, we will approach the everyday life of S\u00e3o Greg\u00f3rio, looking in the reality around us for echoes of this reflection. The creative process will unfold in a cyclical movement: we will devote ourselves successively to gathering and sharing stories, to writing, to sound and to image, returning then to writing, and so on, working with these elements separately.<\/p>\n\n\n\n

Tiago Hespanha<\/strong> (1978) is a filmmaker and producer and has collaborated with various artists from different fields (film, dance, theatre, performance, music). He holds a degree in architecture. Since 2008, together with Leonor Noivo, Luisa Homem, Jo\u00e3o Matos, Pedro Pinho and Susana Nobre, he has been a founding partner of the production company Terratreme Filmes, where he produces his own films and works with various directors and producers. He has been a directing tutor on the international documentary master\u2019s programme DocNomads since 2012. He has been a member of Ateliers Varan since 2014. He completed a master\u2019s degree in Creative Documentary at Pompeu Fabra University in Barcelona. He completed the Ateliers Varan documentary directing course in 2006. He has coordinated several documentary filmmaking workshops. His notable films include:\u00a0CRUZEIRO DO SUL<\/em>\u00a0(2025, doc. 27\u2019),\u00a0CAMPO<\/em>\u00a0(2019, doc. 100\u2019),\u00a0REVOLU\u00c7\u00c3O INDUSTRIAL<\/em>\u00a0(2014, doc. 72\u2019), co-directed with Frederico Lobo,\u00a0VISITA GUIADA<\/em>\u00a0(2009, doc. 56\u2019), and\u00a0O PRESENTE QUE VEIO DE LONGE<\/em>\u00a0(2008, doc. 5\u2019).<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"April to May, 2026","protected":false},"author":5,"featured_media":18928,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"multilingual_post_translation":"{\"pt-PT\":{\"url\":\"https:\/\/www.ipleiria.pt\/esadcr\/2026\/04\/20\/5aed-residencias-artisticas-masi\/\",\"postID\":null,\"postTitle\":\"\",\"siteID\":17,\"customURL\":true,\"languageInfo\":{\"multilingual_site_api_url\":\"https:\/\/www.ipleiria.pt\/esadcr\/wp-json\/\",\"name\":\"Portugu\u00eas\",\"locale\":\"pt_PT\"}}}","custompostfields_homepage-title":"","custompostfields_banners":"","custompostfields_event-date":"2026-04-23","custompostfields_event-end-date":"2026-04-23","custompostfields_front-page-thumbnail":"","custompostfields_front-page-gallery-thumbnails":""},"categories":[20],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/posts\/18922"}],"collection":[{"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/comments?post=18922"}],"version-history":[{"count":2,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/posts\/18922\/revisions"}],"predecessor-version":[{"id":18930,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/posts\/18922\/revisions\/18930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/media\/18928"}],"wp:attachment":[{"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/media?parent=18922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/categories?post=18922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ipleiria.pt\/esadcr-en\/wp-json\/wp\/v2\/tags?post=18922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}