{"id":26240,"date":"2023-11-14T14:59:17","date_gmt":"2023-11-14T14:59:17","guid":{"rendered":"https:\/\/www.ipleiria.pt\/esadcr\/?p=26240"},"modified":"2024-04-04T14:00:51","modified_gmt":"2024-04-04T14:00:51","slug":"aula-aberta-raquel-schefer","status":"publish","type":"post","link":"https:\/\/www.ipleiria.pt\/esadcr\/2023\/11\/14\/aula-aberta-raquel-schefer\/","title":{"rendered":"Aula Aberta – Raquel Schefer"},"content":{"rendered":"\n
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“Territorio”<\/em> (2016), Alexandra Cuesta. <\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Do cinema anti-colonial \u00e0s pr\u00e1ticas cinematogr\u00e1ficas decoloniais: po\u00e9ticas, pol\u00edticas, epistemologias<\/strong> como indutora de Vis\u00e3o<\/em><\/strong><\/h2>\n\n\n\n

Raquel Schefer<\/h3>\n\n\n\n

AULAS ABERTAS DE SEMIN\u00c1RIO DE INVESTIGA\u00c7\u00c3O<\/strong>
21 DE NOVEMBRO DE 2023, 14:00H
SALA 34 DO EP.1 – ESAD.CR<\/h4>\n\n\n\n

Partindo da minha tese de doutoramento, no \u00e2mbito da qual, tomando como objecto de estudo central o cinema revolucion\u00e1rio mo\u00e7ambicano, examinei a evolu\u00e7\u00e3o formal do cinema militante e engajado \u2014 as formas do pol\u00edtico e a pol\u00edtica das formas \u2014, investiga\u00e7\u00e3o prolongada no quadro de um projecto de p\u00f3s-doutoramento em que me debrucei sobre as ambival\u00eancias do cinema anti-colonial \u00e0 luz das rela\u00e7\u00f5es entre modernismos e primivitismos, esta sess\u00e3o prop\u00f5e-se analisar os cinemas anti-coloniais, p\u00f3s-coloniais e decoloniais a partir de uma perspectiva comparatista e transhist\u00f3rica. Num primeiro tempo, debru\u00e7ar-me-ei sobre o cinema revolucion\u00e1rio mo\u00e7ambicano, que emerge como um \u201cpr\u00e9-cinema\u201d no contexto da luta de liberta\u00e7\u00e3o anti-colonial. No quadro da cultura de liberta\u00e7\u00e3o transnacional das d\u00e9cadas de sessenta e setenta, a descoloniza\u00e7\u00e3o pol\u00edtica e econ\u00f3mica \u00e9 entendida como insepar\u00e1vel da descoloniza\u00e7\u00e3o da cultura, do conhecimento e das formas de representa\u00e7\u00e3o, incluindo cinematogr\u00e1ficas.
Numa segunda etapa, abordarei a desestrutura\u00e7\u00e3o da hist\u00f3ria, da mem\u00f3ria e das formas cinematogr\u00e1ficas anti-coloniais pelos cinemas p\u00f3s-coloniais, apoiando-me nos conceitos de \u201cterceira forma\u201d, de Roland Barthes, e de \u201cterceiro espa\u00e7o\u201d, de Homi K. Bhabha. Por fim, examinarei, a partir de exemplos do cinema latino-americano contempor\u00e2neo, nomeadamente dos cinemas aut\u00f3ctones, um conjunto de procedimentos metodol\u00f3gicos decoloniais que procuram desvincular epistemologicamente a est\u00e9tica do paradigma do colonialismo insepar\u00e1vel da modernidade.<\/p>\n\n\n\n

Raquel Schefer <\/strong>is a researcher, director, programmer and Associate Professor at the Sorbonne Nouvelle University. She has a PhD in Film and Audiovisual Studies from the Sorbonne Nouvelle University, a Master’s degree in Documentary Film from the Universidad del Cine de Buenos Aires and a degree in Communication Sciences from the Universidade Nova de Lisboa. She has published El Autorretrato en el Documental, as well as several book chapters and articles. She has been an Assistant Professor at Grenoble Alpes University, a lecturer at the Universities of Paris Est – Marne-la-Vall\u00e9e, Rennes 2, the Universidad del Cine de Buenos Aires, the Universidad de la Comunicaci\u00f3n in Mexico City and El\u00edas Querejeta Zine Eskola, as well as a guest researcher at the University of California, Los Angeles. She was an FCT postdoctoral fellow at the CEC\/University of Lisbon, the IHC\/Universidade Nova de Lisboa and the University of the Western Cape. She is co-editor of the journal of film theory and history La Furia Umana and programme advisor to the International Film Festival Rotterdam (IDFA).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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