06.MAY

Beyond CMYK

Xerox Portugal

WORKSHOP
MAY 6TH, 10AM
ROOM 21 EP.2

Beyond CMYK technology is imagination come true. It is an innovation engine that can help designers add even more pop to their creations and offers print service providers the ability to add special embellishments to the vast majority of print media.
This workshop will allow you to understand how to prepare your designers to print with colors beyond CMYK: with brilliant golds, spectacular silvers, vibrant fluorescents and versatile layers of white and transparent. Workshop focused on graphic designers who wish to expand their knowledge of digital printing methods.

Print on Demand

Ricardo Castro

WORKSHOP
MAY 6TH, 10AM AND 2.30PM
ROOM 5 EP.1

Collective printing session, open to the school community, as part of the ESAD.CR free week, in May 2024.
May 6th (morning) Construction of a collective positive for printing;
May 6th (afternoon) Screen printing in 100×70 format in two colors with the same matrix;
May 7th (all day) Typographic printing with movable character types;
NOTE:
All posters made will remain in the possession of participants.
Each participant must bring a sheet in 100×70 format in the morning of the 6th. The workshop will be at ESAD.CR printing class.

back to ESAD.CR

Ana Battaglia Abreu, Cristiana Fernandes

DIALOGUES
MAY 6TH, 10AM
AUDITORIUM EP.1

Open Class with a former group of students of the BA in Fine Arts. They studied in different years and with a diversity of artistic practices, Ana Battaglia Abreu, Cristiana Fernandes, Marta Machado e Paulo Tuna will talk about their contexts and professional achievements. Ana and Cristiana founded and direct their own artistic residency, Marta works in theater and Paulo became a bladesmith.

back to ESAD.CR

Marta Machado e Paulo Tuna

DIALOGUES
MAY 6TH, 11AM
AUDITORIUM EP.1

Edições Sr Teste – Letter, book, collection
“This is my letter to the world”

Catarina Domingues

OPEN CLASS
MAY 6TH, 2.30PM
ROOM 5 EP.1

Catarina Domingues Graduated in Fine Arts (ESAD.CR), works with drawing and self-publishing of books reflecting on the feminine as opening and birth. Her images are about the awareness that the body we are does not belong to us, a body pierced by the joy of being now (a moment in which the future is radically unknown). Such recognition requires human action: thinking, living actively. The drawings arise from the astonishment at what exists and could not exist: the astonishment of not knowing the origin. She started the Sr Teste Editions in 2019 with Ricardo Ribeiro. The “Fulgor Quotidiano” collection was born from a desire to share an intimate library made up of their favorite authors, thus weaving a web of connections of sensitive thought. These dialogues are exponentiated in the reading relationships that have been created with invited visual artists.

Plural Futures

Nina Paim

OPEN CLASS
MAY 6TH, 3.30PM
ROOM 51 EP.1

The Curricular Unit Seminar of the Industrial Design Degree is once again taking over ESAD.CR’s informal spaces to welcome guests to debate “Plural Futures” and the changing thinking and matrices of intersectionality in the discipline of design, questioning its implications in the contemporary world and using design and its creations to inspire emerging reflections.
Each seminar is a space for meeting, listening to and discovering the guest and their work, but also for projecting these contributions to the next steps in the students’ journey and to design research.

Between meta-realities

ZABRA

OPEN CLASS
MAY 6TH, 6PM
AUDITORIUM EP.1

We invited the artistic production center ZABRA (Lisbon), directed by João Pedro Fonseca and Carincur, to an open class on Creative Economy and Culture (Master in Cultural Management), aiming to learn about the methodologies and socioeconomic impacts of their transdisciplinary projects that incorporate innovation, art, science and technology. How do new artistic practices based on the intensive use of new media and disruptive visions of the human sustain new audiences and alternative economic models?